‘Voices of the Marginalised in History’ conference - call for papers

Historians have, as a profession, been quite adept at ignoring certain groups in history, whether this be through intentional or unintentional bias. Until very recently whole swathes of people in history, everyone except the elites, were left out of the stories of their past. Most people were marginalised by historians, just as they were subordinated in their own time.

Conference at a university

Marginalised peoples have fixed the gaze of historians since the 1960s. Early research focused on the working classes and working-class cultures, as well as more modest middling sorts. This agenda expanded into the period of feminist history in the 1970s and 1980s, when women took centre stage for the first time. Later the voices of colonised people began to be heard, rather than merely those of the colonisers who sought to oppress them.

This was part of a wider set of perspectives engaging with the histories of the global ethnic majority, widening the scope of history beyond white European colonisers. The history of disability, so often ignored in the medical history, also grew in significance. More recently sexuality and trans histories have become a new frontier in the development of a more inclusive and therefore rich and textured understanding of the past. New perspectives on non-binary genders are only just beginning, as are histories of neuro-divergent people.

The Voices of the Marginalised in History conference with keynote speaker, Dr Liam Liburd from Durham University is to be held at the University of Northampton on 7-8 July 2025. It engages with these step changes in multiple historiographies and asks some key questions about where historians are, as a profession, in understanding marginality in society and history:

  • What does the existing literature tell us about the nature of marginalisation and the impact of it on everyday life, both in history and in the contemporary world?

  • How might we best hear the voices of the marginalised in history in methodological terms and be alert to new marginalised groups

  • How has the nature of ‘marginal’ changed across time?

  • How should we engage with claims to ‘marginality’ from groups such as the far right, many of whom may be considered ‘elite’ in other ways?

  • What are the new frontiers in the history of marginalised peoples?

Students at the University of Northampton

The organisers welcome submissions from researchers at all career stages, from postgraduate students to research professors. They are also especially keen to receive presentation proposals from professionals, advocates and people with lived experiences of marginality. Could that be you?

Topics might include but are not limited to:

  • Institutions, processes, systems and mechanisms of marginalisation

  • Opposing, overcoming and negotiating with marginalisation

  • Assessing the validity of claims of marginalisation

  • Representing and remembering marginalisation

  • Heritages of the marginalised

  • Marginalisation and archives

  • Intersections between forms of marginalisation

  • Interdisciplinary and transdisciplinary approaches to studying marginalisation

  • Research ethics and the study of marginalisation

  • Teaching histories of the marginalised and excluded

  • The History of Emotions and marginalisation

  • Marginalisation within academia and the history profession

If you would like to be involved, please submit abstracts or proposals for panels, along with either a link to a university/professional profile webpage, or a short CV, to marginalisedhistoriesconference@yahoo.com by 28 February 2025.

If you have any questions or queries about potential submissions, you should contact the conveners: Professor Mark Rothery at mark.rothery@northampton.ac.uk and Professor Paul Jackson at paul.jackson@northampton.ac.uk.

Lynne Dickens

Spot On Creative is a Northants-based creative team who have the hard-earned skills, expertise and industry knowledge that only come from having worked for years in advertising. It’s all managed by Lynne Dickens who has over 20 years’ experience in marketing communications, and ten years in website design and build, and creative team project management.

Lynne is also a qualified art historian and has some expertise in curating fine art exhibitions and producing all of the catalogues, posters and supporting material to create a successful event.

All the guys in our team have worked for one-man bands, SMEs and large blue-chip multinationals in just about every sector, field and industry. We can come up with great ideas, superb design and copy, and exceptional photography for anything from websites to email campaigns, branding to brochures – and everything in between.

And the beauty of Spot On Creative is that we’re big in creativity, experience and knowledge, but small in overheads and invoices. So we’re a much more sensible and affordable option for you than a larger advertising agency or marketing company.

www.spot-on-creative.co.uk
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